by Dame Mary Archer, Chairman of the Board of Trustees, Science Museum Group
by Jo Quinton-Tulloch, Director of the National Media Museum The last week has shown again how much this Museum means to Bradford, and how much it owes to Bradford. Unsurprisingly … Continue reading
Our latest post is written by Fiona Philip & Daniel Mutibwa of the University of Leeds who have spent the last year working on an innovative project to unlock the … Continue reading
From X-Rays to Pagodas: Scottish photography isn’t (exclusively) tartan or covered in heather.
Surely Scottish photography would be photographs by Scots, of Scots, in Scotland, wouldn’t it? But of course nothing is ever straightforward, so why should Scottish photography be any different?
Martin Parr and Susie Parr discuss controversy, their careers, social media’s impact on photography and Tony Ray-Jones’s influence.
Talbot’s ‘picture book’ is a manifesto for photography, a polemic, an advertisement, a bid for posterity, a chronicle of the past and a vision of the future.
A visitor to the exhibition spotted herself in a Tony Ray-Jones photo. So what will happen when Martin Parr’s Calder Valley work comes back to Yorkshire?
Image manipulation has been around longer than you might think – the compositing and shading techniques employed here were the precursors of Photoshop.
While our politicians, papers and commentators fall on either side of the food bank debate, we look back at poverty and charitable welfare in the 1930s.
Ahead of his appearance on BBC Four tonight demonstrating ‘The Soldier’s Kodak’, Colin Harding reveals more about this 100 year old compact camera.
As the unsettling images of the Ukraine crisis make their way to our TV screens, Brian Liddy is reminded of the first systematically photographed conflict.